Paul Zukofsky / Gilbert Kalish - Music For A 20th Century Violinist
Singer: Paul ZukofskyTitle: Music For A 20th Century Violinist
Label: Desto – DC6435/37
Type: 3 x Vinyl, LP, Album, Stereo
Country: US
Date of released: 1974
Category: Classical
Style: Contemporary
Size MP3 zip: 1391 mb
Size FLAC zip: 1897 mb
Rating: 3.7✭
Format: MP3 DMF VQF WMA MMF MOD XM AU FLAC
- 1897 downloads at 29 mb/s
MP3 version
- 1391 downloads at 32 mb/s
FLAC version
Tracklist Hide Credits
| A1 | –Ralph Shapey | EvocationPercussion – R. Desroches*Piano – G. Kalish*Violin – P. Zukofsky* |
18:00 |
| A2 | –Wallingford Riegger | Sonatina, Opus 39Piano – G. Kalish*Violin – P. Zukofsky* |
7:30 |
| B1 | –John Cage | NocturnePiano – G. Kalish*Violin – P. Zukofsky* |
4:17 |
| B2 | –George Crumb | Night Music IIPiano – G. Kalish*Violin – P. Zukofsky* |
8:55 |
| B3 | –Peter Mennin | Sonata ConcertantePiano – G. Kalish*Violin – P. Zukofsky* |
12:45 |
| C1 | –Morton Feldman | Vertical Thoughts 2Piano – G. Kalish*Violin – P. Zukofsky* |
5:15 |
| C2 | –Michael Sahl | String QuartetCello – T. Eddy*Ensemble – The New York String Quartet*Viola – J. Dupouy*Violin – P. Zukofsky*, R. Teco* |
22:30 |
| D1 | –Henry Brant | QuombexMusical Box – Unknown ArtistOrgan – Unknown ArtistViola d'Amore – P. Zukofsky* |
6:55 |
| D2 | –Stefan Wolpe | Second Piece For Violin AloneViolin – P. Zukofsky* |
3:07 |
| D3 | –Walter Piston | SonatinaPiano – G. Kalish*Violin – P. Zukofsky* |
12:15 |
| E1 | –Roger Sessions | DuoPiano – G. Kalish*Violin – P. Zukofsky* |
14:45 |
| E2 | –Milton Babbitt | SextetsPiano – G. Kalish*Violin – P. Zukofsky* |
12:20 |
| F1 | –Arthur Berger | Duo No. 2Piano – G. Kalish*Violin – P. Zukofsky* |
13:50 |
| F2 | –Harvey Sollberger | SolosClarinet – A. Blustine*Conductor – H. Sollberger*Contrabass – A. Brehm*Flute – S. Sollberger*French Horn – D. Jolley*Piano – G. Kalish*Violin – P. Zukofsky* |
11:30 |
Companies, etc.
- Phonographic Copyright (p) – CMS Records, Inc.
Credits
- Design – Van Tieghem*
- Liner Notes – Nicolas Slonimsky
Notes
These recordings were made possible by grants from the Alice M. Ditson Fund of Columbia University, the Ford Foundation Publication-Recording program, and others.Includes four-page booklet with notes.
