Singer: Various
Title: The First See + Hear
Label: See/Hear Productions ‎– see/hear 1
Type: Vinyl, LP, Compilation
Country: Canada
Date of released: Sep 1968
Category: Electronic, Non-Music
Style: Musique Concrète, Spoken Word, Experimental
Size MP3 zip: 1726 mb
Size FLAC zip: 1541 mb
Rating: 4.5✭
Format: MP3 MP2 ADX VOC DTS AU MMF TTA FLAC

Tracklist Hide Credits

A1	–Bp Nichol*	Another Day Older	1:40
A2	–Lionel Kearns	The Woman Who	3:10
A3	–Lionel Kearns	Transport	3:45
A4	–Bruce Clarke	Of Spiralling Why	9:35
A5	–Lloyd Burritt	The Hollow Men	2:00
B1	–Ross Barrett / Jim Brown	Tree Person	2:55
B2	–Roy Cooper	Prelude To 1984	8:00
B3	–Al Neil Trio	Lombardo Bass, Soprano Saxophone – Rick AnstayPercussion, Tape – Gregg SimpsonPiano, Voice, Zither, Percussion [Tinfoil] – Al Neil	4:00
B4	–Wayne Carr	Timbral Changes	5:00

Credits

• Artwork – Jim Schwartz
• Edited By [Contributing Editor] – David Robinson , Ross Barrett
• Edited By [Editor] – Jim Brown , Wayne Carr

Notes

SEE/HEAR is a RECORD MAGAZINE, a quarterly publication of recordings of contemporary sound arts. Contemporary sound arts are usually discussed in terms of certain categories such as electronic music, experimental acoustic music, sound poetry, projective verse, chance music, improvised forms and so on, however what should propably be recognized is that sound arts are continually evolving and to create categories only restricts the way in which we think about sound. Mixed media, combinations of sound and cisual arts, or combinations of different modes of sound art, are easily seen as results of our electric environment, and are as valid as the already accepted sound forms.

Comes with insert about the recordings, as well as inserts with graphics and text from the contributing artists (7 inserts altogether).

From the insert:
A1 for Lennon and Mccartney.
A4 was commissioned for the Adelaide 1968 Arts Festival by the Melbourne ISCM, fragments of poetry were chosen at random from the unpublished works of the late Ann Pickburn.
A5 is a 30-minute dramatic cantata written for a Masters composition recital and performed at the University of British Columbia in the spring 1968.
B4 made September 1968.

Barcode and Other Identifiers

• Matrix / Runout: ST-55852