Singer: Bio-Puppet
Title: Lazersky
Label: Cobweb Recordings ‎– COBREC008
Type: File, WAV, Album, Stereo
Country: North America (inc Mexico)
Date of released: 15 Sep 2016
Category: Electronic
Style: Synthwave
Size MP3 zip: 1555 mb
Size FLAC zip: 1276 mb
Rating: 4.9✭
Format: MP3 XM ADX AAC MIDI MOD VOX MP1 FLAC

Tracklist Hide Credits

1	Cloud Party Composed By – Bio-Puppet	4:40
2	Lazersky Composed By – Bio-Puppet	4:39
3	Forever Roads Composed By – Bio-PuppetLead Vocals – Veela	5:16
4	Summer Sunset Composed By – Bio-Puppet	5:31
5	The Night Runner Composed By – Bio-Puppet	5:16
6	Girl On The Beach Backing Vocals – Cory FriesenhanComposed By – Bio-PuppetLead Guitar – Bio-PuppetLead Vocals – Veela	5:13
7	My First Hoverboard Composed By – Bio-Puppet	5:20
8	Follow The Wind Backing Vocals – Cory FriesenhanComposed By – Bio-PuppetLead Vocals – Veela	4:55
9	Don't Come For Me Backing Vocals – VeelaComposed By – Bio-PuppetLead Vocals – Cory Friesenhan	4:57
10	Crystal Skies Composed By – Bio-Puppet	5:41
11	Celestial Warfare Composed By – Bio-Puppet	5:28
12	First Sight (Synth Mix) Composed By – Bio-Puppet	4:58

Notes

http://biopuppet.bandcamp.com/album/lazersky

Bio-Puppet's "Lazersky" is without a doubt one of the artists best recordings to date. Bio-Puppet tries to capture the quintessential elements of Synthwave; to produce retro sounds with modern sounds and production techniques. Lazersky has many different sub-genre sounds to please every kind of Synthwave listener while keeping an overall steady vibe throughout each track.
credits
released September 15, 2016

Produced by: Jon Ball
Guitar on "Girl on the Beach" by: Jon Ball
Vocals on "Don't Come for Me" and Forever Roads" by Veela used from Sirens.
Vocals on "Follow the Wind" and Girl on the Beach" by Veela and Cory Friesenhan from Siren and Banshee.
Mastered at Sage Audio.

Special thanks to Skrock music for the amazing synthesizers. Thanks to The 80's Guy for support and amazing contribution to the scene. Thanks to all of my family and friends for support during album production. Thanks to Toby at Black Octopus Sounds. Thanks to Propellerhead software. Thanks to Steve at Sage Audio.