Friedrich II. von Preussen — Hans-Martin Linde · Jörg Ewald Dähler · Hannelore Müller - Schola Cantorum Basiliensis · August Wenzinger - Gerhard Unger · Ensemble Musica Antiqua, Wien · René Clemencic - Konzert Nr. 4 · Sonate Nr. 7 · Preussische Grenadierl
Friedrich II. von Preussen — Hans-Martin Linde · Jörg Ewald Dähler · Hannelore Müller - Schola Cantorum Basiliensis · August Wenzinger - Gerhard Unger · Ensemble Musica Antiqua, Wien · René Clemencic - Konzert Nr. 4 · Sonate Nr. 7 · Preussische Grenadierl Singer: Friedrich II. von Preussen
Title: Konzert Nr. 4 · Sonate Nr. 7 · Preussische Grenadierlieder Und Märsche Aus Friderizianischer Zeit
Label: Archiv Produktion ‎– 2533 059
Type: Vinyl, LP, Reissue
Country: Germany
Date of released:
Category: Classical
Style: Baroque, Classical
Size MP3 zip: 1547 mb
Size FLAC zip: 1263 mb
Rating: 4.1✭
Format: MP3 MP3 DTS APE ASF AHX VOC TTA FLAC

Tracklist Hide Credits

Konzert Nr. 4 D-dur Für Flöte Und Orchester (17:59)
A1 1. Allegro 6:50
A2 2. Adagio 4:46
A3 3. Allegro 6:19
Sonate Nr. 7 E-moll Für Flöte Und Continuo (8:10)
A4.1 1. Grave 2:55
A4.2 2. Allegro Assai 3:02
A5 3. Presto 2:10
Preußische Grenadierlieder Und Märsche Aus Friderizianischer Zeit (27:08)
B1.1 1. »Krieg Ist Mein Lied«
Arranged By [Generalbaßaussetzung Un Instrumentierung] [Figured Bass And Instrumentation] – René ClemencicComposed By – Christian Gottfried Krausse
1:21
B1.2 2. Hohenfriedberger Marsch
Arranged By [Satz Und Instrumentierung] [Instrumentation] – René ClemencicComposed By [Zugeschrieben] [Attributed] – Friedrich II.*
1:14
B2.1 3. Marsch Es-dur
Arranged By [Trompetenstimme] – René ClemencicComposed By – Friedrich II.*
2:06
B2.2 4. Mollwitzer Marsch
Arranged By [Satz Und Instrumentierung] [Instrumentation] – René ClemencicComposed By [Zugeschrieben] [Attributed] – Friedrich II.*
1:31
B3.1 5. March No. 2 For The Derbyshire Cavalry Regiment
Composed By – Joseph HaydnComposed By [Zugeschrieben] [Attributed] – Philippine Charlotte Prinzessin von Preußen
1:24
B3.2 6. Marche De SAR Duchesse De Braunschweig-Lüneburg
Composed By [Zugeschrieben] [Attributed] – Philippine Charlotte Prinzessin von Preußen
2:16
B3.3 7. »Zurück, Rief Vater Friederich«
Arranged By [Generalbaßaussetzung Un Instrumentierung] [Figured Bass And Instrumentation] – René ClemencicComposed By – Christian Gottfried Krausse
2:02
B4.1 8. Marsch Nr. 3 Und Nr. 4
Composed By [Anonym] – Anonymous
1:54
B4.2 9. Batteries D'Ordonnance Avec Les Airs Des Hautbois Ou Fifres: La Générale, L'Assemblée, La Fascine Ou La Breloque, La Charge, La Retraite
Composed By [Anonym] – Anonymous
2:32
B4.3 10. Zapfenstreich
Composed By [Anonym, 18. Jh.] – Anonymous (17th C.)*
0:48
B4.4 11. »Nun Beschließe Deinen Krieg«
Arranged By [Generalbaßaussetzung Un Instrumentierung] [Figured Bass And Instrumentation] – René ClemencicComposed By – Christian Gottfried Krausse
1:10
B5 12. Marsch No. 1 — Menuett No. 6 — Angloise No. 18 — Abtrupp Des Leibregiments — Marsch No. 1
Composed By [Anonym] – Anonymous
5:28
B6 13. March Janizari
Composed By [Anonym] – Anonymous
2:22

Credits

  • Artwork [Illustration Der Taschenvorderseite (Illustration Of The Front Page / Illustration Sur Le Frontispice)] – Daniel Chodowiecki
  • Bassoon [Barock-fagott] [Lindner, Deutschland, 18. Jh.] – Robert Unger (tracks: B1 to B6)
  • Bassoon [Barock-fagott] [M. Pöhm, Pettau 1776] – Wolfgang Hartl (tracks: B1 to B6)
  • Clarinet [Barock-clarinetti] [Hojer, Graz, Ca. 1790] – Gerhard Totzauer (tracks: B1 to B6)
  • Clarinet [Barock-clarinetti] [Kühs, Wien, Ca. 1760] – Wolfgang Rühm (tracks: B1 to B6)
  • Clarion [Clarintrompeten] [Franz Czicek, Wien 1966] – Hans Kraus (tracks: B1 to B6)
  • Clarion [Clarintrompeten] [Lauber & Meinl, Gartenberg/bayern 1967] – Engelbert Loidl (tracks: B1 to B6), Matthias Idinger (tracks: B1 to B6), Wolfgang Hartl (tracks: B1 to B6)
  • Composed By – Frederick the Great*, Friedrichs II.*, Frédéric II*
  • Conductor [Leitung] [Ensemble Musiqua Wien] – René Clemencic
  • Conductor [Leitung] [Schola Cantorum Basiliensis] – August Wenzinger
  • Cymbal [Kleine Becken] [Österreich, Um 1800], Harpsichord [Cembalo] [Martin Skowroneck, Bremen 1960] – Peter Widensky (tracks: B1 to B6)
  • Drum [Rührtrommeln] [Gebaut Von Dehmal's Nachfolger, Wien 1900] – Hans Zimmann (tracks: B1 to B6)
  • Drum [Rührtrommeln] [Gebaut Von Dehmal's Nachfolger, Wien 1900], Triangle [Triangel] [Gerhard Stradner, Wien 1964] – Johann Zachhuber (tracks: B1 to B6)
  • Engineer [Aufnahmeleitung (Technical Supervisor / Ingénieur De Son)] – Hans-Peter Schweigmann (tracks: A1 to A6), Heinz Wildhagen (tracks: A1 to A6), Klaus Scheibe (tracks: B1 to B6)
  • Ensemble – Ensemble Musica Antiqua, Wien*, Schola Cantorum Basiliensis
  • Flute [Flautini] [Carl Dolmetsch, Haslemere/england 1956; Fa. Moeck, Celle 1963] – Robert Unger (tracks: B1 to B6)
  • Flute [Flautini] [Hüller, Erfurt 1963; Fa. Moeck, Celle 1964], Flute [Traversflöten] [Joachim Paetzold, Tübingen 1967, Kopie Nach Einem Original Des 18. Jh. Im Stadtmuseum Rothenburg/Tauber] – Friederike Stradner (tracks: B1 to B6)
  • Flute [Flöte] – Hans-Martin Linde
  • Flute [Traversflöte (Johannes Adler, Markneukirchen 1940)] – Hans-Martin Linde (tracks: A1 to A6)
  • Flute [Traversflöten] [I. C. Winckler, Leipzig, Ca. 1760; Scheily, Ofen (Budapest), Ca. 1770] – Wolfgang Schulz (tracks: B1 to B6)
  • Harpsichord [Cembalo (Martin Scholz/fa. Hug & Comp., Basel 1961)] – Jörg Ewald Dähler (tracks: A4 to A6)
  • Harpsichord [Cembalo-continuo], Composed By [Generalbaßaussetzung (Figured Bass / Basse Chifrée) Bei Der Aufnahme Improvisiert Von] – Eduard Müller (tracks: A1 to A3)
  • Harpsichord [Continuo] – Jörg Ewald Dähler
  • Horn [Naturhörner In C Und Es] [Anonym, Österreich, Mitte 18. Jh.], Timpani [Päuklein] [Anonym, Türkei, 17. Jh.] – Gerald Sonneck (tracks: B1 to B6)
  • Liner Notes – René Clemencic
  • Oboe [Barock-oboen] [A. Grenser, Dresden, Ca. 1750] – Bernhard Klebel (tracks: B1 to B6)
  • Oboe [Barock-oboen] [Delusse, Paris, Ca. 1785; Oboe D'amore: Otto Steinkopf, Berlin 1959] – Alfred Hertel (tracks: B1 to B6)
  • Oboe [Barock-oboen] [Hubert Schück, Wien 1967, Nach A. Grenser, Dresden, Ca. 1750] – Gottfried Boisits (tracks: B1 to B6)
  • Producer [Produktionsleitung (Producer / Directeur De Production)] – Dr. Gerd Ploebsch (tracks: B1 to B6), Prof. Dr. Hans Hickmann* (tracks: B1 to B6), Dr. Manfred Richter* (tracks: A1 to A6)
  • Score Editor [Edition] – Christian Friedrich Voß (tracks: B1 to B6)
  • Score Editor [Herausgeber (Editor/Éditeur)] – Carl Bartuzat (tracks: A4 to A6), Gustav Lenzewski (tracks: A1 to A3)
  • Serpent [Frankreich, 17./18. Jh.] – Gerhard Stradner (tracks: B1 to B6)
  • Tenor Vocals [Tenor] – Gerhard Unger
  • Trombone [Posaunen] [Alt] [Gebaut Von Wilhelm Monke, Köln 1960-65] – Helmut Ascherl (tracks: B1 to B6)
  • Trombone [Posaunen] [Alt] [Gebaut Von Wilhelm Monke, Köln 1960-65], Drums [Große Trommel] [Österreich, 18. Jh.] – Johann Tschedemnig (tracks: B1 to B6)
  • Trombone [Posaunen] [Baß] [Gebaut Von Wilhelm Monke, Köln 1960-65] – Horst Küblböck (tracks: B1 to B6)
  • Trombone [Posaunen] [Tenor] [Gebaut Von Wilhelm Monke, Köln 1960-65] – Herbert Mosheimer (tracks: B1 to B6)
  • Viol [Continuo] – Hannelore Müller
  • Viol [Gambe (Jacobus Stainer, Absam 1973)] – Hannelore Müller (tracks: A4 to A6)

Barcode and Other Identifiers

  • Rights Society: D. P.

Other versions

Category Artist Title (Format) Label Category Country Year
2533 059 Friedrich II. von Preussen* — Hans-Martin Linde · Jörg Ewald Dähler · Hannelore Müller - Schola Cantorum Basiliensis · August Wenzinger - Gerhard Unger · Ensemble Musica Antiqua, Wien* · René Clemencic Friedrich II. von Preussen* — Hans-Martin Linde · Jörg Ewald Dähler · Hannelore Müller - Schola Cantorum Basiliensis · August Wenzinger - Gerhard Unger · Ensemble Musica Antiqua, Wien* · René Clemencic - Konzert Nr. 4 · Sonate Nr. 7 · Preussische Grenadierlieder Und Märsche Aus Friderizianischer Zeit ‎(LP) Archiv Produktion 2533 059 Germany Unknown